A capsule fashion collection comprising of seven looks, mainly using deadstock fabrics and trims, each drawing inspiration from different eras in Libya‘s rich history that often go unnoticed or unacknowledged. By referencing various points in time, encompassing the influence of diverse groups such as the Amazigh (Berber), Greeks, Romans, Spaniards, Ottomans, and political eras from the Libyan kingdom to Gaddafi’s reign and the post-Arab Spring. This collection highlights the multilayered tapestry of Libyan heritage. The thesis sought to amplify the  significance of a North African heritage loot case and shed light on its importance.